The research on ABC figures showed a dramatic drop in 2012 and 2013 for the music magazines so I decided to find out the reasons for that.
"As someone who works at the Guardian, I understand the concept of ‘managed decline’ in circulation figures and the need for constantly improving your product to help boost those figures. Whilst the Guardian and the like are adding new products to their publications. most big publishing houses have focused on diversification of revenues rather than developing or improving their printed product. With that, the falling circulation figures for paid-for music publications are unsurprising.
"As someone who works at the Guardian, I understand the concept of ‘managed decline’ in circulation figures and the need for constantly improving your product to help boost those figures. Whilst the Guardian and the like are adding new products to their publications. most big publishing houses have focused on diversification of revenues rather than developing or improving their printed product. With that, the falling circulation figures for paid-for music publications are unsurprising.
The reason why
print magazine circulations are tumbling is because they don’t know who their
audience is. Access to music is easier than at any other time in history. The
mainstream (the youth in particular), spend their time with Youtube or the
Boiler Room, they don’t need to be able to read, they only need to search.
With the increasing abundance of handheld devices and (more importantly)
mobile internet access, even that last bastion of print publication reading
opportunity has rapidly eroded.
But the
audience is there and if you find your niche, you will find your
audience. This isn’t to say that NME or Q should totally change tact and
start putting Romare or Sun Ra Arkestra on their covers, but they should stop
playing it safe and experiment a little (the list of NME covers from this year
makes pretty depressing reading).You cannot sustain an audience when you
ultimately don’t have an audience, or you’re focusing on an audience that is
either dying (literally) or likely to be swayed by a free alternative somewhere
else.
So to come
to a point, and to address the question ‘is there a future for paid-for print
music magazines?’ I think the answer is yes, but not in their current form –
either in terms of their editorial content or their distribution model."
The source of information:
www.untitledmagazineexperiment.com
"The future of music journalism and music
magazines and making a living" by Gareth Main
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